Life of a Modern Author: The Hershey Public Library’s Family Festival

Hershey Public Library Family Festival 2013

Hershey Family Festival from the Author’s Table

It was a great weekend if you were a cold germ. A few billion of them took up residence on a short-term lease in my sinuses this weekend, leading to numerous doses of medicine and nights of sleep interrupted by snorts and flutters.

You know how these things go: the tickle in the back of the nose that turns into a visitation in the night from sprites stuffing mini-sausages in the sinus cavities. Then there’s the days spent with tissues at hand for sudden explurgations followed by apologies for scaring the cats. Showers are accompanied by a neti pot and further explanations are going to stop right there.

Bill Peschel at the Hershey Public Library's Family Festival 2013

The author in his element.

George Appelt Jr. at the Hershey Public Library's Family Festival 2013

George Appelt Jr., author of “Shepherd’s Fall”

Kathleen Danielczyk at the Hershey Public Library's Family Festival 2013

Kathleen Danielczyk, author of “Summer of Gold and Water”

Federated Women's Club of Hershey at the Hershey Public Library Family Festival 2013

Snacks for sale

John DeFrank at the Hershey Public Library's Family Festival 2013

John DeFrank, author of “Condemned to Freedom.”

Boy scouts at the Hershey Public Library Family Festival 2013

Boy Scout troop set up their table outside.

Laurie Blee, aka Laurette Vanorsdale at the Hershey Public Library's Family Festival 2013

Laurie Blee, author of “The Therapist,” coming December 2013.

Tarantula from ZooAmerica at the Hershey Public Library's Family Festival 2013

A tarantula from ZooAmerica paid a visit.

By Sunday I was feeling somewhat better, which was good because I was down to attend the Hershey Public Library’s festival for families as a Local Author. The authors got a table each in the center of the building near the entrance to set out their wares and intercept families wandering through to drop off their raffle tickets or attend the various demos: animals from ZooAmerica, martial arts from the local societies.

It took us awhile to get moving so we got there within minutes of the festival opening. As we were setting up, the wife noticed all of the other tables had some form of candy lure. She sped off to the store to close the dreaded Candy Gap while Author and daughter finished setting up.

It was a pleasant several hours spent, selling a few books, but mostly talking to people. The hard sell is simply not in me. The thought of moving through the crowd, handing out flyers like a Vegas strip hustler gives me the heebie-jeebies. I’d resent the hard sell on the other side of the table, so why should I inflict it?

When I was going to Bouchercon years ago, there was a couple who were walking billboards for her series of self-published novels. They didn’t just hustle, they went the Full Hustle: pinback buttons on their vests, bookmarks in hand, T-shirts, even little Reese’s Peanut Butter Cups with a bit of cardboard taped to it touting their books. Can’t remember who they were now; haven’t thought of them for years.

The first couple of encounters were pleasant. Then you’d see them coming and you’d kinda shy off, duck into a side room, edge to the other side of the hall. Not to be rude; you don’t want to do that, but because you know that the terms of the encounter have been pre-set: Ask me about my books!

I’ll bet they moved a lot of books, so good for them. I wonder if they’re still going? I hope so. They would be perfectly positioned to take advantage of self-publishing today.

Anyway, the festival. It was near-perfect weather. Cloudy, but not rainy, so people could move around without dropping from heat stroke, or taking cover from a sudden downpour.

The day turned into brief encounters with people, improvised conversations with strangers who opened themselves up in sometimes fascinating ways. From my research while writing “The Complete, Annotated Mysterious Affair at Styles,” I had learned that Agatha Christie was a careful watcher of people, their appearances and mannerisms. She didn’t want to use the whole person, just a part of them to inspire here.

So I decided to do the same: to watch and listen, and see what happens.

* The older gent who taught art. We discussed the difference between the two movies based on Agatha Christie’s “And Then There Were None”/”Ten Little Indians.” He preferred the 1945 version starring Barry Fitzgerald.

* Seen from across the room, a man with tats running down his arms, including the word KNOTTY emblazoned down a forearm. What story lies behind that choice?

* The young woman from Hong Kong who beamed when I recognized the Shinkansen badge she wore. Michael Palin rode one in his documentary “Around the World in 80 Days.”

* The charming girl in a karate gei who read several Christies from the school library. She also likes Nancy Drew and the Boxcar Children. Her mother read Christie as well in her original language. What language? Croatian.

* The stylishly dressed woman whose paper in grad school on feminism caused her conservative teacher to give her an essay on the subject by Dorothy L. Sayers. I knew Sayers wrote quite a bit, but I missed this.

I wished I could spend more time with these people, but I’m grateful for the time I had.

Posted in Rough Draft | Leave a comment

Claire Messud is Deeply Sorry You Bought Her Last Book And Wishes You Didn’t Buy Her New One

Literary writers seem to lead a charmed life to those of us who scribble for our daily bread and read posts about how to sell a lot of books. It must be wonderful to care more about the intellectual quality of your readership than its size.

For example, claire-messudin New York magazine, Claire Messud talks about the success of “The Emperor’s Children,” which enabled her to move “out of a sketchy part of Somerville and into that Cambridge Victorian”:

“I feel that I have an impractical and deleterious snobbery about the relation of literature to the market,” Messud says. “I thought, I’ve become the kind of crap you buy at airports!”

Many of Messud’s readers agreed, since “The Emperor’s Children” received on Amazon more than 100 1-star reviews, out of 285. Unfortunately for Messud, her new book, “The Woman Upstairs,” has received much better reviews, so she’ll have to bear the burden of being a crap airport author for a little while longer.

Posted in Books, Publishing and Writers | Comments Off

Spending Sunday in the Field Selling Books

There’s a story Stephen King tells about his son. When Joe was a boy and his father was preparing to go out on a book tour, he was asked if he knew what his father was going to do.

“Sure,” he said, “you’re going out to be Stephen King.”

Here's the view from my table.

Here’s the view from my table.

Sunday afternoon was my turn, not to be King, but to be Bill Peschel. The Derry Twp. Historical Society held its annual Artisans, Authors and Artists Fair at the Cocoa Beanery, so for several hours, this was my view.

There are worse ways to spend a Sunday afternoon, either as a vendor or a visitor.

It was a very low-key event, which gave everyone time to look around and chat. I haven’t done very many of these, but along the way have learned a bit about what works for me.

First, reduce your expectations. Yes, I’m there to sell my books. Yes, I’d love it if you buy a book from me, or take home the bookmarks and postcards.

But if that’s my only way to judge the day, I’m going to lose. Every time. Because not everyone’s going to buy a book. Heck, the majority of people aren’t there to buy your book. Unless you’re Stephen King, nobody came there to see you, so it’s best to accept it.

Instead, I saw my job as performing a public service. Want to be told a story from the book? Great! Want to talk about self-publishing? I’m your man. Want to shoot the breeze about what a nice day it is? Why not?

And in return, I got bits of . . . stuff. The older gentleman who fended me off with “we’re browsing, not buying” got to talk about his handmade cane. It was made from a crooked branch whose bark had been stripped and a T-handle added.

I was intrigued by the lettering that ran down the length of the cane. “Recognize that?” he pointed to the part of the shaft where “H.I.S.” and the year was burned into it.

“Hershey Industrial School,” I said. The Beanery was inside an old farmhouse that had been operated by the Milton Hershey School back in the day. Students would live on the farm and perform chores as part of their education.

The cane, he said, had been made by a friend of his, who had passed on last year. As he walked away, he said over his shoulder, “When I go for a walk, he’s still with me.”

“And you can still rely on him to support you,” I said.

The rest of the day passed like that. A boy pointed to a
copy of “Writers Gone Wild” and asked how I wrote it. How did it get published? I explained the submission process and what proposals and pitches were. I don’t know if he’ll remember any of it, but boys tend not to ask questions just to hear themselves talk. The important thing was he asked the question. Keep doing that, and he’ll go far.

Jim McConkey, former Peace Corps volunteer

Jim McConkey, former Peace Corps volunteer

Then there were the other vendors. There was the woman who was selling her Amish romance novel, one that’s being carried by Wal-Mart. Another sold beautiful stained-glass panels she made. Another woman who was selling T-shirts on behalf of her sister, a noted illustrator of wildlife. Her husband, Jim McConkey, was selling his memoir of his time in India as a member of the Peace Corps: “To the Far Side of Planet Earth”, described at Amazon as “Zen and the Art of Motorcycle Maintenance meets Lost in Translation.”

There was Cynthia A. Sudor, author of the “Adventures at Green Apple Acres” series, children’s books set at a farm featuring animals.

cynthia-sudor-hershey-arts-festival-2013

I also spent some time with H.R. Barley a Lutheran pastor who published “Home to My Village,” his collection of short stories set in a small town.

h-r-barley-hershey-arts-festival-2013

And that was how I spent my Sunday. Sunshine, good talk, and sold a few books. There are worse ways to live, by far.

Posted in Uncategorized | Comments Off

Building an Online Readership in the 2010s, or What a Neil Gaimalanch Looks Like

ONE OF THE PLEASURES and pains of this writing business has been filling out the weekly report. Every Saturday, I fill out a form that charts ebook sales, website visitors, RSS subscriber feeds, and a other things. I’ve been doing this since 2011. I’m not sure what I’m looking for, but so long as I keep filling out the forms and playing with the pencils on the bench, I’ll figure out something.

Checking last week’s stats, I saw something that you might find useful.

There’s a side project I’ve been working on: the Peschel Report. This is my latest attempt to do what I’ve always wanted to do: point readers in the direction of interesting articles. I’ve tried this in varying ways for years, but this time, it seems to be working. I’ve been posting links daily since November, and it looks like it’ll keep going for awhile.

(LESSON #1: Follow your instincts. I like pointing out cool stuff, more so than talking about myself or my books. I’ve linked to interesting essays and wrote link posts. They took too much time and left me dissatisfied. Setting up a “Drudge Report”-style page is derivative and imitative, I admit, but it works for me.)

I covered this already in a previous post. What I haven’t mentioned is that I’ve not been publicizing this. This is a test of discoverability: How are people finding the site, what draws them in, and how fast does the readership grow.

That’s where the weekly stat reports come in. For example, from Dec. 1 to March 1, the site has been averaging about 20 visits a day. That’s only those people visiting the page, not the number of people who saw a @PeschelReport tweet or who are using the RSS stream.

Here’s what StatCounter shows:

peschel-report-dec-2012-march-2013

March was a little better. A few retweets from the Twitter feed might have brought a few more curious readers in who stayed. The Top 5 Posts list contains links to articles about Haruki Murakami, John Scalzi and Lee Goldberg brought in an above-average number of visitors.

statcounter-peschel-report-march-2013

(LESSON #2: You never know which links will bring in readers. Authors such as Scalzi and Goldberg probably have fewer posts linking to them than, say, Stephen King. Also, posting links to fresh news can be a powerful tool. I had created a Google Alert for Haruki Murakami (one of my favorite authors, too). When his new book came out in Japan, it popped up on my radar, and I’ve posted several links to it.)

Then April came around:

statcounter-peschel-report-april-2013

What happened on April 19?

Simple: I tweeted a link to Adam Rex, the artist, about how he created a picture book. Specially, Neil Gaiman’s “Chu’s Day”

And Neil Gaiman retweeted the link to his followers. All 1.8 million of them:

Gaiman-retweet

Which resulted in this:

neil-gaiman-tweet-result

Now, Neil does not know me from Adam, but he does know Adam Rex, the artist, and did him a favor by pointing his readers to the post. I was just a side effect.

You might also want to note that, instead of writing “Neil Gaiman” in that tweet, I used his Twitter handle @neilhimself. I don’t know if a “Neil Gaiman” tweet would pop on his radar, but it was a better chance that @neilhimself would.

One more point: While I was hoping Gaiman would notice, it didn’t affect my opinion of Adam Rex’s post. It’s a great behind-the-scenes story about a collaboration between an artist and a writer. Even if I knew he wouldn’t RT it, I’d still use it, because I hate being 100% manipulative (I try to keep it about 30%). Besides, I can’t resist a cool picture of Abe Lincoln fighting an octopus:

pandas

That retweet alone increased my average number of visitors fourfold, from 24 to 81. And if you look only at last week’s figures and not count Friday and Saturday’s high numbers, that seems to be holding true:

statcounter-peschel-report-april-21-26

Now, I expect that number to go down, but I hope not to the original level.

We’ll see how all this plays out, but there one big lesson to remember about all this:

LESSON #3: Find your enjoyment in the creative process. Blogging, art, writing, whatever. Keep your eye on the market if you’re wanting to make money, but find a way to fulfill that creative side first.

It’s like David Lynch says:

You better love your work and the doing. Because what comes after, there’s no guarantees. Sometimes, you get the frosting on the cake. Sometime, you don’t. But if you love the doing and you believe in what you do, it’s OK.

His hair is a frequent collaborator, but it's working on a side project with Brian Eno

His hair is a frequent collaborator, but it's working on a side project with Brian Eno

Posted in Peschel Report | Comments Off

Caroline Leavitt On Being Brave, Taking Risks and Terrible Recipes from the 1950s

Losing your job does have one big advantage: It gives you more time to do all those things you wish you had time for when you weren’t spending all your time working.

Caroline Leavitt HPL 20130421On Sunday, I went over to the Hershey Public Library for the 15th annual author visit. This time, the speaker was Caroline Leavitt, author of “Pictures of You” and the upcoming “Is This Tomorrow” from Algonquin Books.

I was especially looking forward to his event. Not only does she write great books, and has the great taste to publicly like “Writers Gone Wild,” her personal story is inspiring. She published eight novels and maneuvered through the publishing world like passengers on the Titanic maneuvered the North Atlantic. About anything that could happen to an author happened to her. Bankrupt publishers, lack of support, unreturned emails, orphan books. All that, before hitting the iceberg of having a novel ready to go and being told by her editor that “it wasn’t special.”

“What if I sent you another novel?”

“Noooo, we don’t think that will be special, either.”

Then Caroline received a visit from the goddess of second chances, who brought along the stud of schadenfreud. They led her to Algonquin Books, a publisher who, when I was reviewing books for the Rock Hill Herald, not only had the great taste to be based in Chapel Hill, N.C. (where I went to the University of North Carolina), but to have published some great books, including “Big Fish” by Daniel Wallace.

And they took Leavitt’s book — the one her editor rejected — and turned it into a New York Times bestseller.

So here’s a brief clip from her talk. This is about her research for “Is This Tomorrow?” which led her into cookbooks with recipes such as Overnight Salad and Meatloaf Tray. Anyone who has visited James Lileks’ hall of recipe horrors could have told her what to expect.

Near the end of her talk, she gave us a piece of advice she learned from one of her favorite writers, John Irving:

“If when you’re writing, you feel like at any moment you’re about to humiliate yourself, and you feel that you’re writing far above your head, and you feel that everything is terrible, and you’re not going to be able to succeed, then what you’re writing is great. And if you don’t feel this, then you shouldn’t be writing.”

She mentioned that she had written Irving thanking him for this advice. He wrote back confessing that he can’t remember ever saying this. A Google search seems to confirm this. He has been credited with saying something along those lines, and I found a mention as early as 1998, but no original source. In any event, it’s still great advice.

Posted in Books, Publishing and Writers | Comments Off

Scott Lynch is my newest favorite writer, even though I haven’t read any of his books

And it’s not just because he has awesome hair that’s a brush-up and a bit of Aquanet away from becoming sentient.

Author, or lead guitarist for Anthrax? You make the call.

Author or lead guitarist for Anthrax? You make the call.

Scott Lynch writes a sci-fi series about pirates on an alien world, and some nutbar who only read excepts from the book on his LiveJournal page wrote in to complain.

He (or she) complained about the language: “I do not read fantasy to be reminded of vulgairty, and I will be recommending to my friends that they do not buy it as well.”

He (or she) complained about the subject matter: “an obvious rip off of the Pirates of the Caribbean movie.”

He (or she) complained about one of the heroes, a middle aged pirate mother of two: “Real sea pirates could not be controlled by women, they were vicous rapits and murderers.”

Authors are reminded not to piss off potential customers. They told not to go crazy about idiots like this. Some might respond with a torrent of profanity and bile of their own.

What I liked about Scott Lynch was that he brought all that, but a hefty dose of humor and creativity as well. In his LiveJournal post, he takes apart the email, point after point.

He agrees that no one would buy a “Pirates” ripoff, “except my publishers in England, France, Germany, and the United States! *Rimshot*”

He agrees that the writer can object to the language. “You go ahead and make that recommendation. Heck, make it to both of your friends. … I don’t apologize for it because I don’t hold with the idea that the use of vulgar idiom by characters is indicative of a moral lapse on the part of the author. … Lastly, fifteen major characters die in the course of TLOLL, along with platoons of extras. … You want to complain about the swearing? Bitch, please. The guy with the severed windpipe and the lady getting eaten by a shark (for starters) would like a word with you.”

By this time, I’m laughing out loud, causing Olga the office cat to abandon desk.

To the charge of political correctness — “It is unrealistic wish fulfilment for you and your readers to have so many female pirates, especially if you want to be politically correct about it!” — Scott brings out the heavy artillery:

First, I will pretend that sentence makes sense because it will save us all time. Second, now you’re pissing me off.

You know what? Yeah, Zamira Drakasha, middle-aged pirate mother of two, is a wish-fulfillment fantasy. I realized this as she was evolving on the page, and you know what? I fucking embrace it.

Why shouldn’t middle-aged mothers get a wish-fulfillment character, you sad little bigot? Everyone else does. H.L. Mencken once wrote that “Every normal man must be tempted at times to spit on his hands, hoist the black flag, and begin slitting throats.” I can’t think of anyone to whom that applies more than my own mom, and the mothers on my friends list, with the incredible demands on time and spirit they face in their efforts to raise their kids, preserve their families, and save their own identity/sanity into the bargain.

Shit yes, Zamira Drakasha, leaping across the gap between burning ships with twin sabers in hand to kick in some fucking heads and sail off into the sunset with her toddlers in her arms and a hold full of plundered goods, is a wish-fulfillment fantasy from hell. I offer her up on a silver platter with a fucking bow on top; I hope she amuses and delights. In my fictional world, opportunities for butt-kicking do not cease merely because one isn’t a beautiful teenager or a muscle-wrapped font of testosterone. In my fictional universe, the main characters are a fat ugly guy and a skinny forgettable guy, with a supporting cast that includes “SBF, 41, nonsmoker, 2 children, buccaneer of no fixed abode, seeks unescorted merchant for light boarding, heavy plunder.”

You don’t like it? Don’t buy my books. Get your own fictional universe. Your cabbage-water vision of worldbuilding bores me to tears.

Man, I want to set that to music. I’ve criticized books as a reviewer, but always as a reader expecting to receive what was promised who was disappointed. If you’re offering space opera, then I better hear arias. If it’s a mystery, then it’d better baffle me (not that it’s a problem. Anagrams confuse me).

But I would never presume to dictate to the author what he or she should write, how it should be written, and what areas can and cannot be delved into. The most I would do is not buy that book.

And if I ever do express an objection to what’s written, it would always be coached from my point of view, that the rule of YMMV is as hard-wired as the speed of light. Believe me, I’ve read some terrible, terrible books, and while I’ll say they’re crappy books, I’ll defend to the death the author’s right to create them. Period. Full stop.

Now here is what’s amusing about this, and a lesson to anyone who wonders how to connect with readers in this social networking environment:

1. Scott Lynch wrote this in October 2005.

2. I was pointed to his post today in a Tweet from Melville House (@melvillehouse), the indy book publisher.

3. Their post, titled from a line in Scott’s post, “An engraved invitation to go piss up a hill”, was written in December.

4. So far, so good. Melville found Scott’s post, right? Wrong. They linked to a post from Dec. 7 at Tumbler, “Fuck Yeah SciFi/Fantasy WOC” (for Women of Color). It was this person who found the post at Scott’s LiveJournal site.

So, thanks to two strangers who read and liked the same thing I read and loved, we’re passing along at least something worth reading, and quite possibly turning us all on to some good books.

So I’m cheering for Scott Lynch. I’m picking up one of his books from the library. If f it’s written as wittily as his post, then I’m in for a treat. And if I like it, I’ll look for his next book coming out in October.

Now I’m going to see if I can find engraved invitations.

Posted in 21st Century | 3 Comments

Warner Bros. Overreaches with William Faulkner

Found this in a Warren Ellis email blast to his fans. It’s a photo he shot on the Warner Bros. lot in Hollywood, California.

Warner-Brothers-WritersWhich kinda chafes me a bit, because behind the iron words is also a memorable quote from Harry Warner about some of these same writers, a phrase that’s a lot more honest than what you see here:

“Schmucks with Underwoods”

(For you kids out there, meaning anyone under 40, Underwood was a brand of typewriter. It was bought by Olivetti in 1959 and eventually absorbed.)

Anyway, what got up my nose about this photo was, first, the notion that William Faulkner was a “Warner Bros. writer,” a designation that the man himself would have snorted at, when he wasn’t having a snort of something else. William was a screenwriter for hire, traveling to Hollywood from his home in Oxford, Miss., (where he famously went postal as a young postmaster) whenever he needed money and a studio wanted to hire him.

He started at MGM in 1933, where he contributed to “Today We Live,” a Joan Crawford/Gary Cooper weepie for Howard Hawks. He also contributed to “Gunga Din,” a 1939 war picture starring Cary Grant, Douglas Fairbanks Jr. and Victor McLaglen and that was put out by RKO.

It wasn’t until 1942 that Faulkner became a “Warner Bros. writer.” There, he contributed bits and pieces to several movies of widely varying quality:

* “The Big Sleep,” with its notorious reputation that no one, not even the novel’s writer, Raymond Chandler, knew who killed the chauffeur.

* “To Have and Have Not” (Humphrey Bogart and Lauren Bacall making sense out of Hemingway’s rocky novel)

* “The Adventures of Don Juan” with Errol Flynn, then on the downside of his career and playing off his “In like Flynn” reputation after beating a rape charge.

Not that there's anything wrong with that.

Not that there’s anything wrong with that.

* And 1955’s “Land of the Pharaohs,” known to me as a punchline on one of Firesign Theatre’s best albums and starring Joan Collins, then a ravishing — and well-ravished, her nickname was “the British open” — 22-year-old hottie.

The quality of Faulkner’s work varied wildly, so much that if it weren’t for Faulkner’s literary reputation, it’s impossible to believe Warners would have put him on their plaque. But that’s the nature of business: glom onto anything valuable in hopes that some of their glory will rub off on you.

Posted in Books, Publishing and Writers | Comments Off

Introducing the Peschel Report, Your One-Stop Linkbait Shop

I’ve had this itch that always needs to be scratched. I’d read an article, an essay, a great post, and I’d want to tell people about it. Tug their digital shirtsleeve and say, “This is a really cool piece of writing.”

WellesCitizenKaneAnd in the various iterations of the website, I’d keep trying to figure out how to do it. I didn’t feel comfortable pumping out single-link posts like Instapundit. Occasionally, I’d put up multiple links, but that got to be a hassle, and I’d still have a ton of cool reads that I didn’t get to. For awhile, I had kept a list of great essays for the year, with the idea of publishing an anthology of them. But that took time and effort, neither of which I seemed to have a lot of.

Then I found out that WordPress can have more than one blog on the same site, and then I found this cool template that creates Drudge-like pages.

So that’s why I started the Peschel Report.

King-Peschel-Report

The idea is simple: provide about 20 links a day, Monday through Friday, to cool stuff worth reading. The links take you direct to the article, so whether you’re getting it by RSS feed, Twitter feed or direct from the page, you’re one link away from the source. Hopefully, you’ll come back for more.

The goal is to provide an overview of what’s going on out there in the Twitterverse, the Blogosphere and real life. Hit the page once a day, and you’ll get a pretty good idea of what people are talking about. The stuff that matters. The interesting stuff.

And so, in the spirit of John Foster Kane signing his manifesto, where what I promise to provide in the Peschel Report:

david-mamet-al-pacino1. The Report will deliver the news about authors, reading, books, writing, self-publishing and the publishing world. Along with a smattering of comics, graphic novels, movies, music and anything else that I like.

2. It’ll be worth your time reading. It’ll be quality material that is hand curated, passing under my eyes and into your head. Some of it will be opinionated. Some of it will be rude. Some of it will be wrong. But it’ll all be worth reading to someone.

3. Here’s what it won’t be. No multi-page linkbait posts. No slideshows, no 12-part posts, not too much fluff. You can find that stuff pretty easily yourself.

O'Rielly-Jesus-Peschel-Report-14. As for advice on writing, publishing and book promotion, I want to give you stuff you haven’t seen a hundred times before. No posts on what to write for your blog. No general info stuff about why you should make a book trailer. No buzzwords about circles, tribes, communities, crowdsourcing or any other trendy krep that will end up getting parodied in Dilbert.

5. Politics will be kept to an absolute minimum. That doesn’t mean you won’t get my opinions, however. I tend to be against cant, hypocriscy, hoodwinking, lying, goalpost moving, strawman hacking and general trollery. The difference is that I hate it no matter where it comes from. Even from writers I like.

6. If big exception will be the politics of the authors I follow. If a rant is good, I’ll link to it. If it’s based on personal experience, I’ll point to it. Authors tweet a lot of their politics, and if it’s interesting, I’ll pass it along. If you’ve been reading the Peschel Report Twitter stream, you’ll see opinions and snark from Charles Stross, Joe Hill, Brad Thor, Cory Doctrow, Colson Whitehead, Bret Eston Ellis, Anne Rice and Joyce Carol Oates.

(The author retweets, by the way, will be seen only on the Report’s Twitter feed, not on the RSS feed or on the webpage.)

Now, like all projects, this will have a sell-by date. If, after a couple of months, readership doesn’t grow, I’ll stop doing this. By July 1, I should have a pretty good idea if this will fly or not. That’s all the time Google plans on pulling the plug on its Reader, which happens to be the place I cull these links from. Hopefully, Diggs alternative will be up, or I can make Feedly’s attempt at a clone work.

But if it doesn’t; if the alternatives make it much harder to follow the 500 blogs and Google Alerts, I’ll have to pull the plug. If not enough readers show up, subscribe to the feed or follow me on Twitter.

So if you don’t want that to happen, if you want to keep me lashed to the Internet for several hours a day, here’s what you can do:

* VISIT: the page.

* SUBSCRIBE: RSS feed or Twitter feed.

* RETWEET: If you like a link, pass it along. Retweets expose new people to the site, and maybe they’ll stick around.

* SUGGEST: Know of a good Twitter feed to follow? A rant worth passing on? A website with good information on it? Let me know. I can be reached through my contact page, or the suggestion box on the Report’s page.

In the meantime, let’s look, point, laugh and learn. As Jimmy Buffett says, we’re here for a good time, not a long time.

And let’s hope this works out better for me than Mr. Kane.

kane-signing

PS: One more thing, The Peschel Report wouldn’t have been possible without the efforts of the good fellow who made the WordPress Drudge Report template.

Posted in Books, Publishing and Writers | Comments Off

Top Links for the Week on the Peschel Report: March 10-16

It’s been a fun week over at the Peschel Report page. We have a lynch mob of scientists going after one of their own, ESPN going after one of their own, a “new” play by Nabokov and a variation on the joke “we know what you are, now we’re haggling on the price.”

If you want to know what the heck is the PR, check out the Peschel Report FAQ page. If you like the idea of a curated list of literary links that won’t waste your time, hook up with it on Twitter, or feed it into your RSS reader.

Scientists Don Papal Robes to Burn Thomas Nagel

For writing Mind and Cosmos: Why the Materialist Neo-Darwinian Conception of Nature Is Almost Certainly False, Nagel is pilloried for “shoddy reasoning” and lending comfort ” to the religious enemies of Darwinism.” Hit with everything, that is, except for reasoned arguments.

Unseen Nabokov Play to be Published

Nabokov wrote “The Tragedy of Mister Morn” when he was 24, seven years after the Russian Revolution drove away his family. Morn is an early source of obsessions that flowed through his life’s work, including desire, sex and death and contempt for repression. The play is in blank verse and is consciously Shakespearean, complete with a character in theatrical disguise—as Othello.

What ESPN is Saying About Bill Simmons’ Twitter Suspension

ESPN Bill Simmons“That ‘First Take’ show is shite but we don’t want you to know that.” Also, “we’d fire Simmons but he makes us too much money, so we’ll take away his Twitter account.”

Is It Worth Shilling for Simon and Schuster?

The company will pay a hundred bucks to refer wannabe writers to their Archway imprint, which is run by AuthorHouse. “It would’ve been more honest for Archway to offer a “bounty” of thirty pieces of silver per referral, because anyone in the indie community who takes them up on this offer is a Judas.”

Posted in Books, Publishing and Writers, Peschel Report | Comments Off

Audiobook Narrator George Guidall’s Visit to Hershey

On Sunday, audiobook narrator George Guidall spoke at the Hershey Public Library, talking about the craft of narrating a book, his acting career, and the fan mail he’s received.

george-guidall-hershey-1Given his extensive background as an actor, it’s not surprising that he gave a polished, professional performance. He commanded the stage with his vibrant baritone, disarming the audience of about 200 with jokes about his recent knee implants and the gin in his water bottle. It didn’t hurt to have Marcel Proust and Wally Lamb writing some of your material, because he illustrated his points with passages from their books.

For example, he read a paragraph that delighted him. He didn’t tell us where it was from, so if you want to play the game, give it a listen and guess. I’ll give the answer at the end.

He also talked a bit about the process at Recorded Books. He prefers working with a producer, who can guide him and suggest changes. One of them with a Ph.D. in Spanish was particularly helpful when he was recording the new translation for “Don Quixote.”

Guidall showing a photograph he received from a woman whose cats loved the Lillian Jackson Braun "Cat Who" books.

Guidall showing a photograph he received from a woman whose cats loved the Lillian Jackson Braun “Cat Who” books.

Probably the most amusing part was when he read from his fan mail. Some were touching, such as the woman whose cats come sit with her when he’s reading one of Lillian Jackson Braun’s tales. Then there was the person who was upset at the vile, disgusting language that spewed from his mouth while reading “Stone Kiss,” as if he was responsible and not Faye Kellerman.

One is tempted to quote from the whole of his speech, but then he would have to write a new one for his numerous library visits and I’d hate to put him to the trouble. Seeing him display his abilities demonstrates just how difficult it is to effectively narrate a book.

(Oh, and that passage? Truth be told, I thought it was a parody written in the Nabokovian style such as “Pale Fire,” with musicologists arguing about which came first, Beethoven’s first or Beethoven’s second. Turns out it was from a real biography by Edmund Morris.)

Posted in Uncategorized | Comments Off